Visiting Artists
2025-26 Featured Visiting Artists
April, The Chase!/Acteon will feature
Danielle Reutter-Harrah, (formerly Danielle Sampson)
Danielle has performed with BCOC many times in our 20 years. She began performing with BCOC in its early years, when she was an undergraduate. Danielle Reutter-Harrah has performed at the Boston Early Music Festival, with Seattle Symphony Orchestra, Seattle Opera, California Bach Society, American Bach Soloists, Baroque Chamber Orchestra of Colorado, Alabama Symphony, and Early Music Vancouver, among others. She most recently sang the role of Belinda in Baroque Chamber Orchestra of Colorado’s semi-staged rendition of Purcell’s Dido and Aeneas. Her repertoire spans Brahms, Bach, Monteverdi, Handel, Clara Schumann and Fanny Mendelssohn, and she is a founding member of the voice and plucked strings duo Jarring Sounds, with Adam Cockerham on guitar, theorbo, Baroque guitar and lute. She sings frequently with Seattle’s Byrd Ensemble and Pacific MusicWorks. Danielle received her Bachelor of Music degree from the University of Denver’s Lamont School of Music and her Master of Music degree from the San Francisco Conservatory of Music.
Hannah McGinty
Hannah McGinty is a Boulder, Colorado-based soprano and musicologist who specializes in historically-informed performance. She currently serves as a staff singer at St. Andrew’s Episcopal Church in Denver. She previously served in the same position as Soprano Section Leader/Soloist at St. Louis King of France Catholic Church and The Episcopal Church of the Good Shepherd, both in Austin, TX. She sings as a professional soloist and chorister with the St. Martin’s Chamber Choir of Denver, Ars Nova Boulder, Evans Choir, Seicento Baroque Ensemble, Elus Ensemble, Austin Baroque Orchestra & Choir (with whom she also acts as Chorusmaster), the Texas Early Music Project , Ars Longa Enesmble, and Austin Cantorum. Hannah received her Masters of Music in Early Music Voice (Historical Performance Institute) under Dr. Steven Rickards, and her Master of Arts in Musicology at the Jacobs School of Music, Indiana University. While in Bloomington, she served as a Choral Scholar at Trinity Episcopal Church and directed and sung in the Burgundian Consort, a chamber choir dedicated to well-researched performances of Renaissance choral music.
Kristin Gornstein
American mezzo-soprano Kristin Gornstein is increasingly recognized for her "rich-voiced" timbre and "uncannily silky legato" (New York Times) across the US. With a career spanning historically informed performance and contemporary premieres, she brings a “deep, spacious sound” (Parterre) and rigorous stylistic integrity to the operatic, concert, and recital stage.
Specializing in the works of the late Baroque era, Ms. Gornstein has earned particular acclaim for her interpretations of Johann Adolph Hasse. Her portrayal of Piramo in Piramo e Tisbe (The Little Opera Theatre of New York) was described by Opera News as "masterful... a truly flawless lyric mezzo." Recently she has appeared as Antonio in Hasse’s Antonio e Cleopatra with the Baroque Chamber Orchestra of Colorado, and alto soloist in Hasse’s Laudate Pueri with Crescendo Baroque.
A versatile ensemble artist and soloist, Ms. Gornstein is a member of both the Philharmonia Baroque Choir and Lorelei Ensemble, and has sung with Grammy-winning ensemble Seraphic Fire. Her concert experience includes the alto solos in Händel’s Messiah (Naples Philharmonic), Vivaldi’s Gloria (Sacred Music in a Sacred Space), and Mozart’s Mass in C Minor (American University of Beirut). As an ensemble member she has appeared at Lincoln Center with the New York Philharmonic (Jeanne d’Arc au Bûcher) and toured with the Mark Morris Dance Group in their acclaimed production of Dido and Aeneas.
May, Musical Bridges will feature
